InstituteMore Than an Island
Introduction essay (invited) to Mallorca. The Nature of Things, by Jörg Bräuer. Munich: Rupa Publishing, 2009, pp. i-xii (in Catalan, English, French, and German)Posted in Art & Design, Miscellaneous
Regulation feeds corruption
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Currently Browsing Art & Design
Anticipation & Aesthetic Inspiration
A video on Understanding InspirationPosted in Anticipation, Art & Design, Downloads, Video
Knowledge Media Design and the Anticipation Challenge
Anticipation in Knowledge Media Design, Knowledge Media Design (P. Stefan, Ed.). Berlin: Oldenburg Verlag, 2005, pp. 75-94; Second edition, 2006, pp. 71-90.Posted in Anticipation, Art & Design
Anticipation and Intuition
a new rational foundation for design, School of Industrial Design, University of Guanajuato, Mexico, April 15, 2005.Posted in Anticipation, Art & Design, LectAnticipation, LectArtDesign, Lectures
Digital Foundations of Design
Class lectures presented at Helwan University, Cairo, Egypt, January-February 2001Posted in Art & Design, LectArtDesign, Lectures
One cannot NOT Interact
(The Future is Here) Workshop: Semiotic Approaches to User Interface Design, The Hague, 2 April 2000Posted in Art & Design, Human-Computer Interaction, LectArtDesign, LectHCI, LectPostInd, LectSemiotics, Lectures, Post-Industrial/Post Literate Society, Semiotics
Anticipation - A Challenge
Memoria Futura: Kulturelles Erbe und Informationstechnologie: eine neue Perspektive? Bonn, 12 December 1999Posted in Anticipation, Art & Design, LectAnticipation, LectArtDesign, Lectures
Art and Computers: Directions
College of Fine Arts, University of Arizona, Tucson, 8 April 1999Posted in Art & Design, LectArtDesign, LectUbiquitous, Lectures, Ubiquitous Computing & Digital Media
The Interesting as an Aim of Computation. A Journey in Aesthetic Space
(Das interessante als computationale Zielsetzung. Ein Ausflug im ästhetischen Raum). Celebration Colloquium: Homage to Frieder Nake on the Occasion of his 60th Birthday, Department of Computer Science, University of Bremen, 16 December 1998Posted in Art & Design, Downloadable Articles, Downloads, LectArtDesign, LectUbiquitous, Lectures, Ubiquitous Computing & Digital Media
The original is better than the reproduction
Retrospctive Exhibit: Manfred Mohr - Algorithmic Works. Josef Albers Museum, Bottrop, Germany, 29 March 1998Posted in Art & Design, LectArtDesign, Lectures
From language to languages
The Language of the Object, symposium held at the Munich Design Center, Germany, 5 November 1997Posted in Art & Design, LectArtDesign, LectPostInd, Lectures, Post-Industrial/Post Literate Society
The Many Changing Faces of Type
Graphis, no. 308, 1997, p.110
Posted in Art & Design, Ubiquitous Computing & Digital Media
Art in Cybercity (in German)
or: The never-ending story of the butterfly that flapped its wings. The European City as Cyber-City? Urban Development and New Technologies. (Eds. H. Hardt, R. Kläsener). Dortmund: Verlag Praxiswissen, 1998, pp. 11-22 Second International City Planning Conference, Xanten, Germany, 12-14 March 1997Posted in Art & Design, LectArtDesign, LectUbiquitous, Lectures, Ubiquitous Computing & Digital Media
Behind us the darkness/Between us the rift
VISCOM Visiting Artist Series, Maryland Institute, College of Art, Baltimore MD, 19 September 1996Posted in Art & Design, LectArtDesign, Lectures
The Daemon of Progress
Inaugural lecture for the chair of Computational Design, University of Wuppertal, 3 November 1994Posted in Art & Design, LectArtDesign, LectUbiquitous, Lectures, Ubiquitous Computing & Digital Media
Cognitive Aesthetics, or Bursting the chrysalis to become a butterfly
College of Fine Arts, HBK, Braunschweig, 11 November 1993Posted in Art & Design, LectArtDesign, Lectures
UI’s in the Post-Romantic Age of Computation, 1993
The romantic age of computation is coming to an end.Posted in Art & Design, LectArtDesign, Lectures
The Bearable Impertinence of Rationality
keynote address, Interface II, Weltbilder/Bildwelten (an International Symposium in the framework of the first MULTIMEDIALE) Hamburg, 5-7 February 1993Posted in Art & Design, LectArtDesign, Lectures
The more things change… Creativity in the context of scientific and technological change
University of Michigan, School of Art, Ann Arbor, 21 January 1993Posted in Art & Design, LectArtDesign, Lectures
Algorithmic and Non-Algorithmic Aspects of Design
University of Wuppertal, School of Design, Wuppertal, 30 October 1992Posted in Art & Design, LectArtDesign, Lectures
Another Tale/Tail Wagging the Dog
(concluding address) GDEA Annual Conference (Interactive Multimedia), University of Iowa, 2 November 1991Posted in Art & Design, LectArtDesign, LectUbiquitous, Lectures, Ubiquitous Computing & Digital Media
Art Experience and Knowledge
Department of Art and Art Professions, SEHNAP, New York University, 26 April 1991Posted in Art & Design, LectArtDesign, Lectures
Beuys: The Art of Appropriation
The Penn State Journal of Contemporary Criticism, 3:1, 1991, pp. 39-44Posted in Art & Design
Science and Beauty: Aesthetic Structuring of Knowledge
Leonardo, 24:1, 1991, pp. 67-72Posted in Art & Design, Downloadable Articles, Downloads
Aesthetics and Techno-Aesthetics. Science and Art
Kunst und Technologie-Ästhetik im Wandel (Art and Technology-Changing Aesthetics), Braunschweig State Museum, Germany, 16 January 1991Posted in Art & Design, LectArtDesign, Lectures
The Significance of Semiotics for Designers
Graduate Seminar, School of the Arts, Department of Communication Arts and Design, Virginia Commonwealth University, Richmond, 30 March 1990Posted in Art & Design, LectArtDesign, LectSemiotics, Lectures, Semiotics
The Mind of the Designer
School of the Arts, Department of Communication Arts and Design, Virginia Commonwealth University, Richmond, 29 March 1990Posted in Art & Design, LectArtDesign, LectMind, Lectures, Mind
Art and Computers Revisited (Kunst und Computer – eine Richtigstellung)
Digitalismus (Andreas Grosz, Ed.). Braunschweig: Braunschweigisches Landesmuseum, 1990, pp. 15-17Posted in Art & Design, Ubiquitous Computing & Digital Media
Design and Semiotics
Semiotics in the Individual Sciences, Vol. II (W.A. Koch, Ed.). Bochum: Brockmeyer, 1990, pp. 418-436.Posted in Art & Design, Downloadable Articles, Downloads, Semiotics
Intelligence for Animation
GI-20. Jahrestagung l, II. Informatik auf dem Weg zum Anwender. Proceedings of the 20th Annual Conference of the German Society of Information and Computer Sciences. Berlin/New York: Springer Verlag, 1990, pp. 589-601Posted in Art & Design, Human-Computer Interaction, LectArtDesign, LectHCI, LectUbiquitous, Lectures, Ubiquitous Computing & Digital Media
A Little Bit of Fractals, a Lot of Chaos
School of Visual Arts, Parsons School of Design, New York City, 23 October 1989Posted in Art & Design, LectArtDesign, Lectures
The Politics of Perception in Art, Design, and Technology
National Museum of American Art, Smithsonian Institution, Washington DC, 7 May 1989Posted in Art & Design, LectArtDesign, LectUbiquitous, Lectures, Ubiquitous Computing & Digital Media
Creativity and Design Intelligence
School of Design, North Carolina State University, Raleigh, 15 March 1989Posted in Art & Design, LectArtDesign, LectUbiquitous, Lectures, Ubiquitous Computing & Digital Media
Artist or Charlatan?
The FIT Review, Vol. 6, No. 1, Fall 1989, pp. 18-23Posted in Art & Design, Downloadable Articles, Downloads
Emergent Aesthetics – Aesthetic Issues in Computer Arts
Leonardo (special issue: Computer Art in Context, SIGGRAPH 89), Berkeley: Pergamon Press, August 1989, pp. 43-48Posted in Art & Design, Downloadable Articles, Downloads, Ubiquitous Computing & Digital Media
Arki/Arketek (1989)
The project was created and built for the design competition entitled "Inventing the Future," in collaboration with Pino Trogu and was considered one of the best entries.Posted in Art & Design, Human-Computer Interaction, Mind
Toy-design (1989)
It is known that play is serious work for the very young. Based on his work on mind, Nadin initiated a program in Toy Design at SUNY-FIT (New York City) to train designers to develop the minds of the very young through all the senses.Posted in Art & Design, Human-Computer Interaction, Mind
Computing and Its Real Significance for the Arts
Visual Arts Department, University of California at San Diego, 8 February 1989Posted in Art & Design, LectArtDesign, LectUbiquitous, Lectures, Ubiquitous Computing & Digital Media
Science and Beauty
Visual Arts Department, University of California at San Diego, 7 February 1989Posted in Art & Design, LectArtDesign, LectUbiquitous, Lectures, Ubiquitous Computing & Digital Media
Emergent Aesthetics: Aesthetic issues in computer art
First International Symposium on Electronic Art, Utrecht, Holland, 27-30 September 1988Posted in Art & Design, LectArtDesign, LectUbiquitous, Lectures, Ubiquitous Computing & Digital Media
Design theory from a computational perspective (keynote address)
National Conference of Graphic Design Educators Association, Chicago, 24-26 June 1988Posted in Art & Design, LectArtDesign, LectUbiquitous, Lectures, Ubiquitous Computing & Digital Media
Art, artists, and computers
Art & Artists, Vol. 17, No. 5, Oct./Nov., 1988, pp. 5-6, 18Posted in Art & Design, Downloadable Articles, Downloads, Ubiquitous Computing & Digital Media
Interface design: A semiotic paradigm
Semiotica 69-3/4. Amsterdam: Mouton de Gruyter, 1988, pp. 269-302.Posted in Art & Design, Downloadable Articles, Downloads, Human-Computer Interaction, Semiotics, Ubiquitous Computing & Digital Media
The common denominator: Is there such a thing?
The Cognitive Condition of Design, (Proceedings B. Zaff, Ed.). Columbus: ESRP, 1988Posted in Art & Design, LectArtDesign, LectMind, LectVisualization, Lectures, Mind, Visualization
Docent and MetaDocent – Multimedia Navigation (since 1988)
Gothic panel paintings formed the subject for the development of the CD-ROM medium, in which image and sound were integrated. Docent, a hypercard-based software program, was integrated in the CD-ROM for interactive learning.Posted in Art & Design, Human-Computer Interaction
Design Machine (1986-1988)
The development of a design machine based on artificial intelligence procedures and neural network processing was determined by three aspects: How do designers design? What do they design? What is peculiar to the design process?Posted in Art & Design, Human-Computer Interaction, Mind, Ubiquitous Computing & Digital Media
Ars ex Machina Revisited
Graduate Studies Seminar, Faculty of Arts and Letters, SUNY-Buffalo, 4 December 1987Posted in Art & Design, LectArtDesign, LectUbiquitous, Lectures, Ubiquitous Computing & Digital Media
Image Machine
(keynote address) Ars Electronica, International conference and computer art competition, Linz, Austria, 16-21 September 1987Posted in Art & Design, LectArtDesign, LectUbiquitous, Lectures, Ubiquitous Computing & Digital Media
Design Intelligence
(keynote address) AIGA National Conference, San Francisco CA, 4-7 September 1987Posted in Art & Design, LectArtDesign, LectUbiquitous, Lectures, Ubiquitous Computing & Digital Media
The Cognitive Condition of Design
(symposium sponsored by the OSU College of the Arts, Battelle Memorial Institute, RichardsonSmith, Inc.), Columbus OH, 26-27 March 1987Posted in Art & Design, LectArtDesign, LectMind, Lectures, Mind
Values in post-modern art
Semiotics 1983 (J. Evans, J. Deely, Eds.). Lanham, New York, London: University Press of America, 1987.Posted in Art & Design, Downloadable Articles, Downloads
MIND-A Design Machine (with M. Novak)
Intelligent CAD Systems, Vol.1 (Ten Hagen, Tomiyama, Eds.). Berlin, New York, Paris, Tokyo: Springer Verlag, 1987.Posted in Art & Design, Downloadable Articles, Downloads, Ubiquitous Computing & Digital Media
The meaning of the image
Semiotics 1982 (J. Deely , J. Evans, Eds.). Lanham, New York, London: University Press of America, 1987.Posted in Art & Design, Downloadable Articles, Downloads, Visualization
Design and Computer Graphic Arts
(Focus Seminar: Computer Graphic Arts Directions), Computer Graphic Arts 86/87, Pratt Center for Computer Graphics in Design, New York, 7-10 December 1986Posted in Art & Design, LectArtDesign, LectUbiquitous, Lectures, Ubiquitous Computing & Digital Media
Art & Computers Bilder/Images Digital
(keynote address) 25 Years of Computer Art, Munich, Germany, 24 October 1986Posted in Art & Design, LectArtDesign, LectUbiquitous, Lectures, Ubiquitous Computing & Digital Media
Kunst und Computer (Art and Computers)
Essen University, Germany, May 8, 1986Posted in Art & Design, LectArtDesign, LectUbiquitous, Lectures, Ubiquitous Computing & Digital Media
Electronic tools for graphic designers: How do we integrate them in studios and education programs?
Keynote address, STA Spring Conference: Finding Order in Chaos, Chicago, 11-13 April 1986Posted in Art & Design, LectArtDesign, LectUbiquitous, Lectures, Ubiquitous Computing & Digital Media
Visual semiosis applied to computer graphics
Annual Conference Proceedings of the ASEE. Hanover, PA: The Sheridan Press, 1986.Posted in Art & Design, Downloadable Articles, Downloads, Semiotics, Ubiquitous Computing & Digital Media
Advanced Computing Center for the Arts and Design (ACCAD) (1986)
One of Nadin's major assignments as Eminent Scholar in Art and Design Technology (at the Ohio State University) was to draw up a plan for a center in which research in the art and design possibilities of digital technology would serve as an intermediary between education and applications for art and industry.Posted in Art & Design, Human-Computer Interaction, Ubiquitous Computing & Digital Media
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